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"Terminator Salvation" Isn't

Or doesn't.  Whatever.

I've enjoyed the "Terminator" series since the first one, no matter how silly they eventually became.  The question always was -- what happened  with Skynet?  How did Judgment Day begin?  How did folks survive it?  What did they do to battle the machines?

In other words, what the heck happened between 1984 and 2016 (or so)?

So when I first say the trailer for Terminator Salvation (and a fine trailer it was), I was one of many who was anxiously awaiting the answers to those and other questions, as well as to see what Christian Bale would do with the John Connor role.  The last thing I thought to look at was the director.  And that was a mistake.

McG's main claim to fame is that he and I went to the same high school.  Oh yes, he also made a lot of music videos that were (apparently) well-received, until graduating (if that's the right word) to direct Charlie's Angels and its sequel (enough said about those) and the pretty decent We Are Marshall.  But this film is just tooooooo big for him to handle.  He gets the action scenes -- it's a little like watching a destruction derby -- but the movie as a whole is drained of all charm, heart, and humor.  Even his attempts to bring back some old time Terminator lines -- "I'll be back", for example -- fall flat.

It's not all negative, of course.  On the plus side, there is Bale does a pretty good job, although it pales in comparison with Sam Worthington as the mysterious stranger (who arrives to save the day?) or even Anton Yelchin, so good in Star Trek, as the young Kyle Reece.

But fundamentally, this movie is review-proof.  If you were going to go, what I say wouldn't dissuade you, and if you weren't -- well, you sure aren't now.  Basically, this is the kind of movie you will like if you like this kind of movie.

Oh yes.  Remember those questions I had at the start?  They’re still there.  But then again, maybe iin Terminator 5....
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I'm not on today...

... because Jim Garrity hasn't seen a movie since "Bambi".  We'll see what happens next week.
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And the Topic for May 15 is...

...  Graveyard Movies.  And the inevitable question(s)...

Huh?  Why?

Because if you've been listening -- and you know you should -- His Hewitness is biologically convinced that if the Democrat's single-pay-universal-health-care-plan is passed, rationing of health care will be inevitable, and so the elderly among us (including, unfortunately, me), will be relegated to the graveyard earlier than we otherwise would have been.

So join me and Mr. Hewitt's special guest host, Mark Larson, today at 5 PST on your local radio network or on good old reliable KRLA.  And if you have any suggestions that you feel must be included, let me know.
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"Angels & Demons" -- At Least It's Not As Bad As "The DaVinci Code"

You know how it is when you're absolutely dreading a particular event, concerned that whoever's in charge will just make a hash out of it?  And how grateful you are when it turns out not to be half as bad as you had thought it might be (even though, objectively, it's still not very good)?

"Angels & Demons" is sort of like that.

Those who saw its predecessor, "The DaVinci Code" will know what I mean.  Like "Angels & Demons", "The DaVinci Code" was written by Dan Brown.  Unlike "Angels & Demons", "The DaVinci Code" was a huge best-seller and (for reasons unknown to me) a blockbuster of a movie (although I think the two may be tied together).  It also overtly attacked most of the fundamental beliefs held by Christians everywhere, and in particular the Catholic Church, by suggesting that Jesus not only lived, but married and had children, some of whose progeny still survived.  The result was that many were outraged - and as a result, "The DaVinci Code" did big box office.

"Angels & Demons" will generate neither the outrage nor the big box office.  Thankfully, it does not bash Christianity, Christian doctrine or the Catholic Church.  In fact, parts of it - at least a few parts of it - are actually positive to religion.  For example, near the end of the film, one of the cardinals, played well by Armin Mueller-Stahl, tells the hero, Robert Langdon (Tom Hanks), that he thanks God for sending him to help.  Hanks replies that he really doesn't think that God sent him.  Stahl pats him gently on the shoulder, as you would a child who just couldn't grasp what you were telling him, and says "Of course he did".

Fundamentally, "Angels & Demons" is a political thriller set against the background of the Catholic Church and its efforts to find a new Pope after the old one dies (or was it murder?).  There follows a very human and basic quest for power and position that plays out pretty well - if you can ignore the absolute silliness of the plot and the extreme unlikelihood that anyone - even the most Machiavellian of minds - could conjure this plan and have any real hope that it would come to fruition.

But despite that, you're so grateful that the Church has not been degraded and its belief system not attacked that it isn't until you leave the film, and have time to give it some thought, that you realize what a bunch of hokum you've just watched.

So should you rush out and see it?  Eh.  The movie is stylish, the action scenes are pretty well done, and the supporting cast, particularly Stahl, Stellan Skarsgård as the commander of the Swiss Guard, and Ewan McGregor as Camerlengo Patrick McKenna, are very good.  It's just that pesky plot....

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And the Topic for May 8 is...

...  Prequel Movies.  So join us on Friday at 5 PST on your local radio network or on good old reliable KRLA.  And if you have any favorite Black Car Movies, let me know.
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"Star Trek" Hits a Homer

There is something slightly audacious about calling the 11th film in the Star Trek franchise “Star Trek”.  Not “Star Trek: The Early Years” or  “Star Trek: The Beginning”, just “Star Trek”, as though it was to be the standard against which all of the others would be measured.  But when you are as successful as producer/director J.J. Abrams has been, perhaps it was justified.  And as it turns out, it is.

“Star Trek” is simply the best Star Trek movie since “Wrath of Kahn”.  Although there was every opportunity to mess it up, Abrams and crew didn’t.  They have managed to capture the spirt, action and (most importantly) the humor of the TV series.  The cast is uniformly excellent, with Chris Pine (Bottle Shock, Smokin’Aces), Zachary Quinto (Syler of “Heroes”) and, in particular, Simon Pegg as Scotty all particularly noteworthy.

But there are quibbles.  The movie tends to lose a little focus at the end, and there will be those who will gripe mightily about the liberties taken with the holy ‘Star Trek” history and universe.  Although they try their best to explain it by the old “going into the past alters the future” chestnut, it’s still a little nagging.

But for someone like me, who spent many a Friday night (when no girl would have anything to do with me) watching the original Star Trek in Walker Hall at Pomona College, “Star Trek” reminds me of how much I liked the old show, and why.

So go see it.  If you’re even a little familiar with the original Star Wars, you’re in for a treat.
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And the Movie Topic on the Hugh Hewitt Show for March 27 is...

... Black Car Movies!!  Why, you may ask?  Because in its infinite wisdom, the California legislature is considering a bill banning the sale of black cars.  No, really.  So we thought we'd explore the wonderful world of ,,, well, you can probably figure it out.

So join us on Friday at 5 PST on your local radio network or on good old reliable KRLA.  And if you have any favorite Black Car Movies, let me know.

And we'll also be dealing with John Cena's 12 Rounds.  But don't blame me.  Somebody's got to do it.
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"Kings" Continued

Well, either you guessed or you didn't.  Or guessed and didn't care, which I must admit is much more likely.

Remember the Bible?  The Books of History?  Kings?  Well you should, but you wouldn't necessarily recognize it in the new NBC series "Kings".  But it's worth a watch just to see how the talent has updated it.

The first two hours involve the story of a modern-day kingdom called Gilboa reuled by King Silas Benjamin (apparently Saul has too Jewish a tone for prime time), played interestingly by Ian McShane of Deadwood.  At the same time the kingdom is opening its new capital city, Shiloh, it is at war with neighboring Gath, which has a gigantic tank called ... well, if you can't guess that, then I really don't know why you've read this far anyway.  Into that fray steps young David Shepard (get it?), played unemotively by Christopher Egan of Eragon semi-fame, shortly after receiving a blessing from the Rev. Samuels for fixing a blown hose in his car.  Yes, a blown hose.

Now I have always maintained that the story of Saul, David, Jonathan, et al., would make a grand soap opera, and Kings looks like it might have potential.  But the updating of the story, which feels more than a little anachronistic, can be a little jarring.  In fact, as others have noted, at times it's a little weird.  I mean, how often do you actually hear positive references to God on a network TV series?

Should you see it?  In my, any TV series based (no matter how loosely) on the Bible needs all the support it can get.  Who knows?  Once the networks try it, they may actually like it.

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"Kings"

I don't usually comment on TV shows.  Not that I don't watch them; I do.  I just don't comment on them.

But, for future reference, if anyone wants to send me an advanced copy of a TV movie, series or episode -- or for that matter, a pure old fashioned theatrically released or straight-to-DVD movie -- as the publicists for Kings did, then by golly, I feel obligated to talk about it.

The most surprising theng about Kings, which has been heavily promoted by NBC recently and is debuting this Sunday, is how few people can actually figure out what it is about just by the title.  Even well-churched people.

So go on.  Take a guess.

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And the Movie Topic on the Hugh Hewitt Show for March 13 is...

... Pig Movies.  Or its by products.  You know.  Like "pork," which has dominated the news so much in recent days.  So join Mr. Hewitt and I at 5 pm PST for the top 10 Pig Movies of All Time, plus my reviews of (heaven help me) "Race to Witch Mountain" and "Kings".

And if you have any ideas for Pig Movies (hopefully other than the obvious "Babe"), let me know.

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In case anyone's still reading this...

... on the 2/27 Hewitt Show we'll be doing the Top 10 Dentist Movies of All Time, threby saluting the hatchett man who dug into Mr. Hewitt's jaw and re-root canaled him.  So if you have any ideas, add a comment.  I'll read it.  Really!

And if you have any ideas for a decent movie that's ocoming out this Friday, please let me know.  I've examined the offerings and they're really grim-- even for February.

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The Eye's OscarĀ® Picks

Okay, so I'm a few months behind, but it's Oscar night, and I'm motivated.  so here are my picks -- and what should win, but probably won't.

And by the way, if anyone can explain to me why either "The Reader" or "I am Curious -- Button" are better movies than "The Wrestler" or "The Dark Night", I'd appreciate knowing.

BEST PICTURE:  Slumdog Millionaire [What should win?  The Wrestler.  Except it’s not nominated.]

DIRECTOR:  Danny Boyle, Slumdog Millionaire

ORIGINAL SCREENPLAY: Milk [What should win: In Bruges]

ADAPTED SCREENPLAY:  Slumdog Millionaire

ACTOR IN A LEADING ROLE: Sean Penn, Milk [Who should win?  Mickey Rourke for The Wrestler]

ACTRESS IN A LEADING ROLE:  Kate Winslet, The Reader

ACTOR IN A SUPPORTING ROLE:  Heath Ledger, The Dark Knight.  A dead lock.

ACTRESS IN A SUPPORTING ROLE:  Penélope Cruz for Vicky Cristina Barcelona.  Who should win?  Marisa Tomei for The Wrestler

FOREIGN LANGUAGE FILM: Not that anyone cares, but Waltz with Bashir (Israel)

ANIMATED FEATURE:  WALL-E.  Almost as much a walkover as Ledger.

DOCUMENTARY FEATURE: Man on Wire.  Bad grammar gets you far.

DOCUMENTARY SHORT:  The Conscience of Nhem En.  Why?  Because any short with “conscience” in the title is bound to get the nod from Hollywood.

SHORT FILM - ANIMATED:  La Maison En Petits Cubes.  Same with Frech titles.

SHORT FILM - LIVE ACTION:   The Pig.  Animal rights.  Well, at least it sounds like that's what it should be about, and that's good enough for the Academy.

ORIGINAL SCORE:  Slumdog Millionaire

ORIGINAL SONG:  "Down to Earth" from WALL-E.  At least you can understand the title, and everyone will confuse the two songs from Slumdog. But why “The Wrestler” didn’t get nominated is a mystery to me.

ART DIRECTION:  The Dark Knight.

CINEMATOGRAPHY: Wide open, but between The Curious Case of Benjamin Button. The Dark Knight and Slumdog Millionaire, I’ll go with Slumdog.

COSTUME DESIGN: I pick The Duchess, because costume dramas always seem to win this, but Milk, which absolutely mailed San Francisco hip, may get it.

MAKEUP: It should be Hellboy II: The Golden Army, but it will be The Curious Case of Benjamin Button.

SOUND MIXING: Does anyone actually know what this means?  Anyway, it will be Slumdog Millionaire.

SOUND EDITING:  The Dark Knight

VISUAL EFFECTS: Its second statue (which is at least two more than it deserves:  The Curious Case of Benjamin Button

FILM EDITING:  The Dark Knight.

And Jerry Lewis is a lock for the Herscholt Award.

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And the Topic for October 10 is...

... The Top 10 CIA Movies of All Time!!

With Body of Lies coming out today, and with Burn After Reading already out, it seemed appropriate.

So if you have any ideas.why wait until the show?  Reply to this now or let me know by email.  And don't forget to either listen in live on KRLA or your local Hewitt channel, or listen to the show later.
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Farewell, Chucko

For those of you who didn't grow up in the Los Angeles area, this blog will be absolutely meaningless, but for anyone who spent their kidhood in LA after WWII, this will have deep, deep, meaning.

Charles Runyon has died in Grants Pass, OR at 85.

Not getting it?  Then how about this:

Chucko the Birthday Clown
has died in Grants Pass, OR, at 85.

One of my primary goals as a youth -- never fulfilled, unfortunately -- was to see Chucko live and in person on my birthday.  As far as I know, it was the goal of everyone I knew growing up.  Chucko was an icon, a talisman of my youth.  And although he hasn't been on TV for some 44 years, he will be missed.

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And the Topic for October 3 Is ...

... The Top 10 Paul Newman Movies of All Time!!

Now, to be hones, this was not the original choice.  In light of the Biden-Palin Debate, we were going to do the Top 10 "Now, little lady, there's no need to worry your pretty little head about that" movies.  You know, like Pat and Mike, Aliens -- mvoies where women are doing a "man's job".  But frankly, I'm too pooped after a loooong week to concentrate on that involved a topic, and I just don't have the time.  So we're going to honor Mr. Newman's career and passing -- which, frnakly, is a whole lot easier on me.  Which is, after all, my primary concern.

And we'll be talking about An American Carol and (maybe) Beverly Hills Chihuahua.  This is about all our erstwhile guest host, Dean Barnett, can handle.
 
So if you have any ideas.why wait until the show?  Reply to this now or let me know by email.  And don't forget to either listen in live on KRLA or your local Hewitt channel, or listen to the show later.
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