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"Flags of Our Fathers" -- Not An American Masterpiece, But Pretty Darn Close

I'm trying to dash this off before I'm called to the big Hewitt table, so if I'm less coherent than normal, please indulge me.

Flags of Our Fathers was one of the better books of 2000, and one of the most personal.  John Bradley tells the story of his father, "Doc" Bradley, a Navy corpsman who helped raise the flag on Iwo Jima, and who was part of a photograph that was emblazoned on the hearts and minds of every American during WWII.  His search for an explanation of why his father never spoke of Iwo Jima or the war made for fascinating reading.

Clint Eastwood has done a masterful job of translating that story to the screen.  Flags of Our Fathers is not strictly speaking, a war movie.  Although there are many battle scenes, they are tangential to the main story -- what makes a hero, and how the media culture can massage and manage reality to serve whatever purpose it chooses.  What the movie makes clear is that the heroes of Iwo Jima were those who remained on the island, not those who, by circumstance, found themselves stateside on a goodwill bond tour.  And no one recognized that more than the three survivors of the flag raising.

If Eastwood isn't nominated for Best Director, if the film is not nominated for Best Picture, and if Adam Beach (whose career has apparently survived Windtalkers) is not nominated for Best Supporting Actor, there's simply no justice.  Eastwood directorial style is perfect for the subject matter, and his mastery of light and color is apparent in every scene.  Beach is wonderful as the one, truly tragic character in the story, the Native American Ira Hayes (previously portrayed by -- ta dah! -- Tony Curtis in The Outsider).  The movie is graphic and, at times, grueling, but it is a cinematic journey well worth taking.
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